JEFFREY SMART

Container Train in the Landscape 1983-84

Paper sheet size 28.2x184.6cm [BACK TO PREVIOUS PAGE]

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Etching House for Jeffrey Smart limited edition painting titled Container Train in Landscape 1983-8, sheet size 28.2×184.6cm,available from Etching House.

This work is a Hi End Quality Limited Edition Fine Art Reproduction print of the original Jeffrey Smart Oil Painting, the edition is limited to 499 only; each piece has the artists seal shown on the lower right. Upon request a certificate of authenticity is available.

Etching House has Container Train in the Landscape in stock. Etching House has a 12 months Lay Buy program available with no fees.

Etching House ship unframed Jeffrey Smart work titled Container Train in the Landscape Fee in Australia. The original painting is referenced in the Jeffrey Smart book titled Retrospective Jeffrey Smart which is available in the book department of the New South Wales art Gallery. It may also be found in the publication titled Drawings and Studies 2001.

Fine art limited edition print reproduced under copyright titled “Container Train in the landscape” is only available in one size at Etching House.

 

 

 

 

Etching House specialise in Jeffrey Smart fine art limited edition Lithograph prints, etching prints, digital (Giclee) reproduction prints, some print titles available in the market place are,

Jeffrey Samart Logo on Framed Container train fine art print,

Framed Container train with Jeffrey Smart Logo,

Approach to EUR, 1970, 70.0 x 102.9cm,

At the Window Fattoria 1979 60.3×58.5cm,

Autobahn in the Black Forest II print based on the Jeffrey Smart Original Painting 1979- 1980 sold at auctuion $1,020,000,

Autobahn in the Black Forrest 11 74.2×50.7cm, Giclee print,

Ballgame, Athens 1981   58.2×58.2cm,

Ballgame, Athens, 1981   89.8 x 89.8 cm,

Bondi Penthouse   88×77.3cm,

Bus Terminus, 1973   89.5 x 73.3 cm,

Cahill Expressway 52.5cm x68.5cm,

Cape Dombey 1947 55.2x65cm,

Central Station 11 1974-1975 55×62.4cm,

Container Train Framed Container Train Framed example with copyright digital signature display only,

Container Train in the Landscape 1983-84 Paper sheet size 28.2×184.6cm,

Control Tower 1969 65x53cm,

Coogee baths winter 1961 fine art limited edition,

Corrugated Gioconda 1978   50×68.2cm,

Dampier 111 1967   Size To be confirmed,

Diversion for Siena 2002-2003 52x68cm,

End of the Autostrada, 1968-69 72.8 x 89.3cm,

Factory and Staff Erehwyna 1972 55.7x104cm,

Four Closed Shops 1982 43x79cm,

Jeffrey Smart Framed Art Collection Framed Etchings Prints,

Guiding Spheres 11 (Homage to Cezanne) 1979 55.4 x 64.7,

Holiday 1970 65x54cm,

Housing Project No. 84 74.2×89.4cm,

Jacob Descending 1979 73.5×46.5cm,

Keswick Siding 1945 56×63.8cm,

Level Crossing 1997 54×66.5cm,

Margaret Olley in the Louvre Museum 1994-1995 45×71.4cm,

Monument and Car Park  59.2x59cm,

Morning practice, Baia, 1969 70.2 x 97.0cm sheet size,

Morning, Yarragon Siding Paper size 51.8×66.5,

Motel Swimming Pool 1970  89.4x71cm,

Motor dump Pisa 11, 1971   90.3 x 89.0 cm,

Motor dump Pisa I, 1971   70.6 x 96.4cm,

Near Ponticino, 1978   96.5 x 72.0 cm,

On the roof, Taylor Square, 1961-62 89.2×74.4cm limited edition,

Playground Mondragone Sheet size, small 50×68.5 cm, large, large, extra large,

Portrait of Clive James 1992   57.2×62.3cm,

Portrait of David Malouf 1980   59x58cm,

Portrait of Germain Greer 1984   53×64.1cm,

Quinces by the Sea   t size 50×72 cm,

Reflected Arrows 1974 54.7 x 63.0 cm,

Self Portrait 1993 55.7×52.4cm,

Service station Calabria, 1977 74.5 x 103.0 cm,

Spring Landscape 1970 Size To be confirmed,

Steps Palma 1965 71.3x93cm,

Study, The Supermarket Car Park 11, 2004 52.5x66cm,

Surfer’s Bondi 1963 Paper 63.9x52cm,

T.S. Eugenides, Piraeus 1978 65.3×52.5cm,

The Argument, Naples 1950 52.1×66.1cm,

The Ascent 56.6 x 62.0,

The Cleaners 2004 50.7×70.1cm,

The Conversation, Lunotevere Flaminia 1984 78.5x43cm,

The Directors, 1977 44.2 x 179.6 cm,

The Dome 1977   58.0 x 58.5,

The Listeners 1965 65.9×52.1cm,

The Mail Exchange, Rushcutters Bay 1989-1992 44.8×78.5cm,

The Melbourne Gate Paper 52x70cm,

The Observer 11 1983-1984   53×72.3cm,

The Oil Drums 1992 Paper size 47.5×72.5 cm,

The Painted Factory, Tuscany 1972 59x59cm,

The Picnic 111, 1983 72.5×50.6cm,

The President Factory 2003,

The Red Arrow 11, 1973 59.3x59cm,

The Red Arrow I, 1972   73.7 x 89.0 cm,

The Santiago Flight 11, 2003,

The Stilt Race 1960   46.7×71.5cm,

The Traveller 1973   55.2×62.8cm,

The Tuscan farmhouse, 1980 69.0 x 107.3cm,

The Underpass 1986 – 1987 73.6×48.7cm,

The Water Tower, 1968 73.5 x 89.0cm,

Truck and Trailer Approaching a City 1973 44.8×78.5cm

Trumper Park 1961  44.2x75cm,

Turn Off to Dandenong  Paper size 56.2×66.1cm

Wallaroo 1951 48x71cm.

Jeffrey Smart print sizes for small, large and extra large editions,

Guiding > Spheres11 1979 (Homage to Cezanne) by Jeffrey Smart is a Limited edition fine art work print digitally signed lower right and comes complete with certificate of authenticity, image sizes available are –

Small    55.4 x 64.7 cm

Large   75.9 x 89.6 cm

X Large 104.0 x 123.0 cm

Etching House has available a 12 month lay buy plan with no fees.

Painted Factory, Tuscany 1972

Jeffrey Smart

Small    59.0 x 59.0 cm

Large   89.0 x 89.0 cm

X Large 104.0 x 104.0 cm

The Underpass 1986-87

Jeffrey Smart

Small    73.6 x 48.7 cm

Large   105.0 x 68.2 cm

X Large 123.5 x 80.0 cm

Jacob Descending 1979

Jeffrey Smart

Small    73.5 x 46.5 cm

Large   105.0 x 66.2 cm

X Large 141.7 x 89.0 cm

Holiday    1970

Jeffrey Smart

Small    65.0 x 54.0 cm

Large   89.0 x 73.3 cm

X Large 108.5 x 89.0 cm

Control Tower    1969

Jeffrey Smart

Small    65.0 x 53.0 cm

Large   89.1 x 72.0 cm

X Large 110.8 x 89.3 cm

Cape Dombey    1947

Jeffrey Smart

Small    55.2 x 65.0 cm

Large   75.0 x 88.9 cm

X Large 104.0 x 123.7 cm

At the Window Fattoria    1979

Jeffrey Smart

Small    60.3 x 58.5 cm

Large   89.0 x 80.2 cm

X Large109.0 x 105.5 cm

Portrait of Germain Greer    1984

Jeffrey Smart

Small    53.0 x 64.1 cm

Large   73.0 x 89.0 cm

X Large 89.0 x 108.7 cm

Factory and staff Erehwyna    1972

Jeffrey Smart

Small    42.6 x 77.6 cm

Large   55.7 x 104.0 cm

X Large 74.7 x 141.2 cm

Portrait of David Malouf    1980

Jeffrey Smart

Small    59.0 x 58.0 cm

Large   89.0 x 87.4 cm

X Large 110.0 x 108.0 cm

The Conversation, Lunotevere Flaminia    1984

Jeffrey Smart

Small    78.5 x 43.0 cm

Large   104.0 x 55.6 cm

X Large 75.0 x 142.1 cm

Autobahn in the Black Forest II 1980

Jeffrey Smart

Small    74.2 x 50.7 cm

Large   104.4 x 70.0 cm

X Large 86.0 x 128.7 cm

The Oil Drums    1992

Jeffrey Smart

Small    47.9 x 72.5 cm

Large   68.7 x 106.5 cm

X Large 84.8 x 132.1 cm

The Guiding Spheres II (Homage to Cezanne)    1979

Jeffrey Smart

Small 55.4 x 64.7 cm

Large 75.9 x 89.6 cm

X Large 104.0 x 123.0 cm

Portrait of Clive James    1992

Jeffrey Smart

Small    57.2 x 62.3 cm

Large   80.0 x 87.3 cm

X Large 106.5 x 116.4 cm

Morning, Yarragon siding    1984

Jeffrey Smart

Small    51.8 x 66.5 cm

Large   71.0 x 92.3 cm

X Large 89.6 x 116.9 cm

Playground Mondragone    1997

Jeffrey Smart

Art Gallery of NSW Collection

Small    50.0 x 68.5 cm

Large   70.0 x 97.3 cm

X Large 87.0 x 120.9 cm

Reflected Arrows    1974

Jeffrey Smart

Small    54.7 x 63.0 cm

Large   75.0 x 87.1 cm

X Large 100.5 x 117.3 cm

Ballgame, Athens    1981

Jeffrey Smart

Small    58.2 x 58.2 cm

Large   89.8 x 89.8 cm

X Large 104.8 x 104.8 cm

Cahill Expressway    1962

Jeffrey Smart

National Gallery of Victoria Collection

Small    52.5 x 68.5 cm

Large   70.0 x 92.3 cm

X Large 88.5 x 117.1 cm

Corrugated Gioconda    1976

Jeffrey Smart

National Gallery of Australia Collection

National Gallery of Australia, Canberra Collection

Small    50.0 x 68.2 cm

Large   70.5 x 97.6 cm

X Large 87.5 x 121.5 cm

Four Closed Shops    1982

Jeffrey Smart

Small    43.0 x 79.0 cm

Large   58.5 x 111.1 cm

X Large 73.8 x 141.3 cm

Margaret Olley in the Louvre Museum    1994-95

Jeffrey Smart

Small    45.0 x 71.4 cm

Large   65.0 x 103.1 cm

X Large 81.0 x 129.1 cm

The Listeners    1965

Jeffrey Smart

Small    65.9 x 52.1 cm

Large   89.5 x 70.1 cm

X Large 89.0 x 114.0 cm

Wallaroo    1951

Jeffrey Smart

National Gallery of Australia Collection

Small    48.0 x 71.0 cm

Large   67.5 x 101.7 cm

X Large 82.7 x 125.0 cm

The Stilt Race    1960

Jeffrey Smart

Small    46.7 x 71.5 cm

Large   66.4 x 104.0 cm

X Large 83.0 x 130.6 cm

The Mail Exchange, Rushcutters’s Bay    1989-1992

Jeffrey Smart

Small    44.8 x 78.5 cm

Large   58.9 x 105.5 cm

X Large 77.0 x 139.3 cm

Truck & Trailer Approaching a City    1973

Jeffrey Smart

Art Gallery of NSW Collection

Art Gallery of New South Wales Collection

Small    44.8 x 78.5 cm

Large   56.5 x 104.1 cm

X Large 76.0 x 141.7 cm

Central Station II    1974-1975

Jeffrey Smart

Small    55.0 x 62.4 cm

Large   76.5 x 87.0 cm

X Large  101.5 x 115.6

 

Jeffrey Smart, born in Adelaide in 1921, is the modern Australian painter whose paintings look least Australian. Since his second trip abroad after World War II became a permanent stay, he has been painting that strange yet immediately recognizable area of the planet that his admirers call the Smart Country, a stretch of territory so completely international that one of its characteristic locations is an airport. We might not know where the airport is, but we recognize the lights and signs and colours: it’s a visual language at least as precise as any verbal one. Stamping their geometry on his landscapes, Smart’s buildings are part of the same language. Like all the unsentimental lovers of modern material forms from his teacher Léger through to the American hyperrealists and beyond, he was able to see the purity in shaped metal and concrete. If there is an endemic Australian quality, it might be in the confidence with which he not only combines the functional exuberance of modern industrial life with the iconography of the past, but equalises and balances those two things, so that a Matisse poster in the context of an Australian suburb becomes more lyrical than ever.

Acerbically precise in their strict outlines and flat planes of colour, his most romantically adventurous flights are made always within the framework of an unsleeping sense of form, out of a duty to what he sees. “The world,” he once said, “has never been more beautiful.” If that’s true, it’s partly because the world, over the last half century or so, has come to number Smart’s rigorously disciplined yet lavishly resonant paintings among its inventory of beautiful things. At the same time, he has been among the foremost of those Australians who have taken their country out into the world. One of the nerve centres of Australia’s steadily burgeoning creativity over recent decades has been the Posticcia Nuova, his farm house near Arezzo, which is itself a masterpiece, continually created and cared for by its padrone and his gifted companion Ermes de Zan. The very name of the house asserts the continuity of Smart’s homeland and the old world: New Place was the name of Shakespeare’s house after he became successful, and in New South Wales, when I was a boy, New Place was always the name of the new house when the family of homesteaders outgrew the one they began with, but were adamant that they would never forget it. Barry Pearce (Sydney: The Beagle Press, 2005)

 

 

 

 

 

 

Email or Ph: 0413 007 054 about "Container Train in the Landscape 1983-84" by JEFFREY SMART

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