Professional Qualifications
Diploma of Fine Art, Printmaking, South
Australian School of Art, 1977
Master of Fine Art, Monash University,
Melbourne, Australia, in progress
One Person Exhibitions
1999 – Greenaway Gallery, Adelaide
1999 – Access Gallery, Sydney
1998 – Japan Foundation , Sydney
1998 – Maki Gallery, Tokyo
1997 – Greenaway Art Gallery, Adelaide, South Australia
1997 – Niagara Galleries, Melbourne, Australia
1996 – Gallery DaDo, Seoul, Korea
– Gallery Kim Nae Hyun, Seoul, Korea
1995 – Gallery Dong Zoo, Seoul, Korea
– Hak Chon Gallery, Chong Ju, Korea
– Song San Gallery, Chung Ju, Korea
– Greenaway Art Gallery, Adelaide, South Australia
1994 – Maki Gallery, Tokyo, Japan
– Australian Embassy, Paris, France
– Niagara Galleries, Melbourne, Australia
– Coventry Gallery, Sydney, Australia
– AGOG, Canberra, Australia
1993 – Gallery Nancy Sulmont, Nantes, France
1992 – AGOG, Canberra
1991 – Coventry Gallery, Sydney
– Tynte Gallery, Adelaide
1990 – Gallery Tamura, Tokyo, Japan
– Niagara Galleries, Melbourne
1989 – Aberdeen Art Gallery, Scotland
– Niagara Galleries, Melbourne
1987 – Niagara Galleries, Melbourne
1986 – Works Gallery, Geelong, Victoria
1985 – Tynte Gallery, Adelaide
– Niagara Galleries, Melbourne
1984 – Niagara Galleries, Melbourne
1982 – University Gallery, Melbourne University, Melbourne
1980 – Contemporary Arts Society Prints, Adelaide
Selected Group Exhibitions
1998
– A decade of Australian Printmaking Seoul Korea
– Silk Cut, prize exhibition
– Freemantle print Award exhibition.
– Mornington Penisula Drawing prize
– Hutchins Art Prize, Finalists
– Affinities,Walker Hill Art Centre, Seoul.
– Sons, Sydney College of the Arts, Sydney
1996 – Sydney Printmakers, Rex Irwin Gallery, Australia
– Diary Show, Coventry Gallery, Australia
– Fisher’s Ghost Exhibition, Cambelltown Regional Art Gallery, NSW Australia
– Martin Hansen Memorial Art Award, Gladstone Regional Gallery, Queensland, Australia
1995 – International Painting Exhibition, Kwang Ju City, Korea
– Figure Ground, Dick Bett Gallery, Tasmania, Australia
– Taegu Art Biennale, Korea
– 20th Freemantle Print Award, Freemantle Western Australia
1994 – Atelier 33, FIAP, Paris, France
1993 – Excalibur Contemporary Artists and Celtic Heritage, Geelong Art Gallery, Geelong, Australia
– Ultima Incisione, Gallery Segno Grafico, Venice, Italy
– SAGA, Palais Royal, Paris, France
– collection Nancy Sulmont, Nantes, France
– edition Nancy Sulmont, Gallery Claude Samuel, Paris, France
– Discovery New Asia, Gallery Chang, Chung Ju, Korea
– 2eme Salon Cimaise, Dinan, France
1992 – International Festival of Painting, Cagnes-sur-Mer, France
– Third Australian Contemporary Art Fair, Melbourne, Australia
1991 – Student’s Choice, Wagga Wagga Regional Art Gallery, Wagga Wagga, Australia
– Coventry Gallery, Sydney, Australia
– Dissonance West , Lewers Gallery, Penrith, Australia
1990 – Niagara Art Gallery, Melbourne, Australia
– Hill Smith Fine Art Gallery, Adelaide, Australia
– Windsor & Newton Australian Collection Awards, Australia
– Second Australian Contemporary Art Fair, Melbourne, Australia
1988 – Faber Castell Drawing Award Exhibition, Sydney, Australia
– Contemporary Australian Drawing, Gallery Ann Gregory, Sydney, Australia
– Eltham Art Award, Melbourne, Australia
– First Australian Contemporary Art Fair, Melbourne, Australia
– 100×100, Print Council Gallery, Melbourne, Australia
1987 – Two x Twelve: Visionary Phantasies, Piccolo Spoleto, Melbourne, Australia
– Mornington Drawing Show, Mornington, Victoria, Australia
– Moet & Chandon Travelling Art Exhibition, Australia
– Directors Choice, RMIT Storey Gallery, Melbourne, Australia
– Colour 1, Coventry Gallery, Sydney, Australia
1985 – Tynte Gallery, Adelaide, Australia
1984 – ROAR Studios, Melbourne, Australia
– Niagara Galleries, Melbourne, Australia
– Mini Prints, Print Council of Australia travelling exhibition, Australia
1983 – Works Gallery, Geelong, Victoria, Australia
– Women Artists, Works from the Collection, Melbourne University Gallery, Melbourne, Australia
– Tynte Gallery, Adelaide, Australia
1982 – Women Potters and Printmakers, David Ellis Gallery, Ballarrat, Victoria, Australia
1981 – Original Prints in Secondary Schools, Education Department, Victoria, Australia
– Graven Images in the Promised Land, Art Gallery of South
Australia, Adelaide, Australia
1978 – Tangents, Consortium Gallery, Adelaide, Australia
– RASA Gallery, Adelaide, Australia
1977 – Prints in Schools, South Australian Education Department, Australia
Awards & Prizes
1996 – Award of Merit, Fisher’s Ghost Exhibition, Cambelltown Regional Art Gallery, NSW, Australia
– Martin Hanson Memorial Art Award, Australia, Easel Paintings Boyne Smelters Ltd
Comittees & Professional Societies
Editorial Committee
– Imprint, Vol. 27, No. 4, 1992
– Imprint, Vol. 27, No. 2, 1992
Print Council of Australia
– committee member, 1987-1990
– member, 1980-1993
Teaching Experience
1996 – part-time lecturer, College of Fine Art, University of New South Wales, Australia
1995 – visiting lecturer, Chong Ju University, Korea
– part-time lecturer, University of Western Sydney, Australia
1991-1992 – part-time lecturer, Sydney University, Sydney College of the Arts [lithography]
1989 – part time lecturer East Sydney Technical College, [lithography]
1987-1991 – part time lecturer, University of Western Sydney [lithography]
1986-1989 – part time lecturer, University of New South Wales College of Fine Arts, Sydney [lithography]
1978-1981 – Victorian Council of Adult Education [relief printing and etching]
Overseas Study Visits/Artist-in-Residence
1999 – Canberra School of Art,artist in residence
1997-98 Australia Council Studio, Tokyo
1995 – Asialink Artist in Residence, Korea
1990 – resident, Moya Dyring/Denise Hickey studio, Citè International des Arts, Paris, France. Awarded by Art Gallery of New South Wales
1989 – artist-in-residence, Aberdeen Art Gallery, Aberdeen, Scotland
1983 – visited UK and Europe Art Galleries and Print Studios
1976 – visited USA Art Galleries
Further Studies & Training Courses
1993 – Pexiglass Engraving, Ricardo Licata, Scuola Internationale di Graphica, Venice, Italy
1984 – Sculpture, RMIT, Melbourne, Australia Workshops Utilised
1998 – Shin Nihon studio, Tokyo
1998 – Studio One, Canberra
1995 – Seoul Print Workshop, Korea
1992-1994 – Atelier Franc Bordas, Paris, France
– Atelier Point & Marge, Paris, France
– Atelier Lacourière & Frélaut, Paris, France
– Scuola Internationale di Graphica, Venice, Italy
1990 – Atelier Clot, Bramson & Georges, Paris, France
1989 – Peacock Print Workshop, Aberdeen Scotland
1980-1986 – Australian Print Workshops, Melbourne, Australia
Collections
Aberdeen Art Gallery, Aberdeen, Scotland
Augus t 2 1 , 2000 Rèsumè – Yvonne Boag Page 3
Adelaide College of the Arts Collection, Adelaide, Australia
Art Bank, Australia
Atelier Clot, Bramsen & Georges, Paris, France
Atelier Franc Bordas, Paris, France
Australian National Gallery, Canberra, Australia
Bendigo Art Gallery, Bendigo, Victoria, Australia
Bibliotéque de Nantes, France
Canson Australia Pty. Ltd., Australia
CSIRO Division of Information Technology, North Ryde, NSW, Australia
Datacraft, Melbourne, Australia
Deakin University, Victoria, Australia
Downlands College, Queensland, Australia
Duroloid, Melbourne, Australia
Geelong Art Gallery, Victoria, Australia
Geelong Art Grammer, Victoria, Australia
Institute of Educational Administration, Geelong, Victoria, Australia
Latrobe University, Victoria, Australia
Marc Espinoza Gallery, Paris, France
Melbourne City Council, Melbourne, Victoria, Australia
Melbourne University Collection, University of Melbourne, Melbourne, Australia
National Gallery of Australia, Canberra, Australia
National Library of Australia, Canebrra, Australia
Print Council of Australia, Australia
Radio Australia, Melbourne, Victoria, Australia
Shire of Diamond Valley, Victoria, Australia
Telecom Australia, Melbourne, Victoria, Australia
Toowoomba Regional Art Gallery, Queensland, Australia
Victorian Education Department, Victoria, Australia
Victorian Print Workshop, Melbourne, Australia
Wagga Wagga Regional Art Gallery, Wagga
Wagga, NSW, Australia
Publications & Published Articles
Imprint, December 1997
Australian Printmaking in the 1990’s, Grishin S (Ed), Craftsman House, 1996
Kang Chul-Son’s Cultural Journey to Australia, Korean Broadcasting Service, broadcast in June, 1996
Prints Among Adelaide Women, Business Review Weekly, May 1996
Yvonne Boag in South Korea, Art Monthly, April 1996
Art World, Korea, August 1995
Hankook Ilbo, Korea, June 1995
Chosun Ilbo, Korea, May 1995
Chung Chong Daily News, Korea, May 1995
Korean Times, Korea, May 1995
Radio Interview, MBC, 1800hrs, 27 May 1995
Images 2 Contemporary Australian Painting, Drury N, Craftsman House, 1994
Unified Diversity, Print Council of Australia, Member Print Catalogue, 1994
SAGA, Imprint, Vol 28, No. 3, 1993
Point & Marge, Imprint, Vol 28, No. 3, 1993
Catalogue, 2eme Salon Cimaise, Dinan, France, 1993
Catalogue, Discovery New Asia, Chung Ju Korea, 1993
Petit Presse à Poing, Imprint Magazine, Vol 28, No. 1, 1993
Catalogue, Excalibur Contemporary Artists and Celtic Heritage, Geelong Art Gallery, Geelong, Victoria, 1993
Acquisitions 1992, Bendigo Art Gallery, Bendigo, Victoria, 1992
Parent Printmakers Speak: The Child as Print, Imprint, Vol. 27, No. 2, 1992
Catalogue, Students Choice Works from the Permanent Collection, Wagga Wagga Regional Art Gallery, 1991
Catalogue, Dissonance West, 1991
Catalogue, Second Australian Contemporary Art Fair, 1990
Australian Arts Diary, 1990
New Art 3, Craftsman House Press 1989
Exhibition Review, Cross E, The Age, 22 February 1989
Exhibition Review, Watson B, Sydney Morning Herald, 10 February 1989
Catalogue, First Australian Contemporary Art Fair, 1988
Exhibition Review, Johnson A, Sydney
Morning Herald, 2 December 1988
Exhibition Review, Lynn E, The Weekend
Australian, 26-27 November 1988
Directory of Australian Artists, Germaine
Max
Directory of Australian Printmakers 1982-
1989, Print Council of Australia
Imprint Magazine, Vol 23, 1988
Catalogue, Moet & Chandon Exhibition,
1987
Exhibition Review, Miller R, The Herald, 11
November 1987
Exhibition Review, Catalano G, The Age, 11
November 1987
Catalogue, Women 150, 1985
Exhibition Review, Catalano G, The Age, 6
November 1985
Exhibition Review, Hannan G, The Herald,
30 October 1985
Catalogue, Mini Prints, 1983
Augus t 2 1 , 2000 Rèsumè – Yvonne Boag Page 4
Graven Images in the Promised Land, Art
Gallery of South Australia, 1981
Original Prints in Secondary Schools, 1981
Commissions
Print Council of Australia, Member Print, 1994
Les Cahiers de l’Estampe Contemporaine, Atelier
Point & Marge, 1993
David Ellis Gallery, annual print folio
Adelaide City Council, Adelaide Now Print
Print Council Member Print, 1988
100×100 Print Folio, Print Council of Australia,
1988 Grants
1997 – Tokyo Studio, Japan, from Australia Council
1995 – Residency of Asialink studio, Korea – Australia Korea Foundation Travel
Grant, Department of Foreign Affairs & Trade, Canberra, Australia
1993 – Australia Korea Foundation, Department of Foreign Affairs & Trade, Canberra, Australia
1990 – Australia Japan Foundation, Department of Foreign Affairs & Trade, Canberra, Australia
1989 – Art Gallery of New South Wales, Moya Dyring/Denise Hickey Studio, Citè International des Arts, Paris, France
1988 – Aberdeen Art Gallery Studio, Aberdeen Art Gallery, Aberdeen, Scotland
1979 – Material Grant, South Australian Government,
Yvonne Boag limited edition Australian fine art etching prints, silkscreen prints available at Etching House.